There is not much I can write that has not already been written on different websites and newspapers by so called professional critics. Many of them ran out of adjectives while praising Lootera and ended up drooling all over the movie. But then if you give 3 stars to Yeh Jawaani Hai Deewani and as many to Jab Tak Hain Jaan, giving just one more star to Lootera does not really help restore your credibility. Are you reading Rajeev Masand? (obviously not, whom am i kidding)
Before any of you make any assumptions, let me be clarify. I have not watched either YJHD or JTHJ and I do not plan to. And that is why I can never be a professional critic. I cannot watch bad films. I just enjoy reading the (honest) reviews.
Not that Lootera did not deserve 4 stars out of 5, it most certainly did. Maybe even more. It is indeed way better than most mainstream Hindi movies that I do not watch.
I will keep my critique brief (it would have been longer) by saying that I completely agree with all the critics who have praised Vikramaditya Motwane for his direction and Mahendra Shetty's camera work. Great cast, good acting even by support roles so on and so forth. (But why did they need Divya Dutta for that bit role?)
One thing that is not praised enough though is their attention to detail in recreating 1950's era. But that might have been accidental considering that Motwane used to assist Sanjay Leela Bhansali, who managed to make all his contemporary films look like they were set in the 50's.
What made me happiest is that Motwane stayed true to his sensibilities and did not feel the need for any lip synced songs or, to use a cliche, people dancing around trees. There were more than a few dance worthy trees in the movie. And he was true to his screenplay. I could not think of a single scene that was unnecessary; except for the one where Divya Dutta was cutting bhindis and crying. (Yeah I have a problem with a character which did not add anything to the story and only got prominence because of a prominent actor playing that role)
What else....oh yes.. the music. . awesome music with awesome lyrics. Even though the background score needs to be explained by Amit Trivedi. It is too similar to be a coincidence. And I have said this before and I will say it again, Amit Trivedi should more judicious on which songs he sings himself. Zinda would have been a much better song if sung by a more accomplished singer. But overall a very good album with a couple of great songs worth playing on a loop.
But I do have a bone to pick, and that has something to do with the story. Do not get me wrong. The short story from which this was adapted is one of my favorite stories. And it is probably one of O Henry's most famous stories. And that is exactly why I think the screenplay let me down on many fronts. I knew the ending before the interval because it was obvious in the first painting lesson that the director was going to use exactly the same twist in the tale as the original story. But I think what bothered me most is that Motwane did not realize, or decided to ignore the fact, that many in the audience who would actually appreciate this film would already be familiar with the story. And for them the payoff at the end just could not be as satisfying as ...well... something more original.
Even if he decided to go with the same idea as the original, he could have used a different setup. Maybe he should have included a reference to the original story instead of the "bheel raja" folk tale in the movie. In fact I think that a big library like that could certainly have a copy of O. Henry's short story collection. He died in 1910 and the movie was in 1952. Not a stretch to imagine that the characters were already familiar with the said story. And maybe the final payoff could have been based on the hero's already established skill of stealing, instead of something that he was clearly not good at. Would that not have been more appropriate given the title?
Before any of you make any assumptions, let me be clarify. I have not watched either YJHD or JTHJ and I do not plan to. And that is why I can never be a professional critic. I cannot watch bad films. I just enjoy reading the (honest) reviews.
Not that Lootera did not deserve 4 stars out of 5, it most certainly did. Maybe even more. It is indeed way better than most mainstream Hindi movies that I do not watch.
I will keep my critique brief (it would have been longer) by saying that I completely agree with all the critics who have praised Vikramaditya Motwane for his direction and Mahendra Shetty's camera work. Great cast, good acting even by support roles so on and so forth. (But why did they need Divya Dutta for that bit role?)
One thing that is not praised enough though is their attention to detail in recreating 1950's era. But that might have been accidental considering that Motwane used to assist Sanjay Leela Bhansali, who managed to make all his contemporary films look like they were set in the 50's.
What made me happiest is that Motwane stayed true to his sensibilities and did not feel the need for any lip synced songs or, to use a cliche, people dancing around trees. There were more than a few dance worthy trees in the movie. And he was true to his screenplay. I could not think of a single scene that was unnecessary; except for the one where Divya Dutta was cutting bhindis and crying. (Yeah I have a problem with a character which did not add anything to the story and only got prominence because of a prominent actor playing that role)
What else....oh yes.. the music. . awesome music with awesome lyrics. Even though the background score needs to be explained by Amit Trivedi. It is too similar to be a coincidence. And I have said this before and I will say it again, Amit Trivedi should more judicious on which songs he sings himself. Zinda would have been a much better song if sung by a more accomplished singer. But overall a very good album with a couple of great songs worth playing on a loop.
But I do have a bone to pick, and that has something to do with the story. Do not get me wrong. The short story from which this was adapted is one of my favorite stories. And it is probably one of O Henry's most famous stories. And that is exactly why I think the screenplay let me down on many fronts. I knew the ending before the interval because it was obvious in the first painting lesson that the director was going to use exactly the same twist in the tale as the original story. But I think what bothered me most is that Motwane did not realize, or decided to ignore the fact, that many in the audience who would actually appreciate this film would already be familiar with the story. And for them the payoff at the end just could not be as satisfying as ...well... something more original.
Even if he decided to go with the same idea as the original, he could have used a different setup. Maybe he should have included a reference to the original story instead of the "bheel raja" folk tale in the movie. In fact I think that a big library like that could certainly have a copy of O. Henry's short story collection. He died in 1910 and the movie was in 1952. Not a stretch to imagine that the characters were already familiar with the said story. And maybe the final payoff could have been based on the hero's already established skill of stealing, instead of something that he was clearly not good at. Would that not have been more appropriate given the title?